Film

Wednesday, 04 June 2008

Indiana Jones and the Hidden Laser Kid

OLYMPUS DIGITAL CAMERA         Saw Indiana Jones and the Kingdom of the Crystal Skull this weekend.  I'd heard such terrible things about it and my expectations were lowered sufficiently for me to really enjoy most of the movie.  Thanks, expectation lowerers!  I think it's a good movie, it just has too many crystal skulls.  Isn't that always the way.  Just take out every scene which features a crystal skull, and it becomes one long, exciting chase scene.  The last part of the movie gets offensively dumb, and not coincidentally, that's just when a dozen new crystal skulls show up.  Next time, fewer crystal skulls, more helpful monkeys.  I genuinely liked the helpful monkeys and I loved the refrigerator bit.  That whole sequence was perfectly paced, leading up to a surprisingly beautiful final image.  Admittedly, that fridge sequence could've been improved with a few helpful monkeys.  You can usually squeeze at least two helpful monkeys into any fridge, in the crisper drawers.

But I'm not here to review movies.  I'm here to heckle a fellow audience member: the kid in the back with the laser pointer.  He raises so many issues!

  • So, kid, you took a laser pointer to the movie and occasionally made a little red dot on the screen.  Did you plan that out beforehand?  Did you just happen to have a laser pointer and suddenly realize, hey, I can interact with the movie in a special way?  Did you re-contextualize the movie or are you just an asshole?
  • Where do you even get laser pointers anymore?  Do you have to special order them from the '80s?  Why not point a Zune or some modern piece of loser technology at the screen?  Were you pointing it old school?
  • I only saw the red dot three times during this two hour movie.  Were you afraid of getting caught?  Did you just think those three scenes needed a red dot?  Why did you put it on someone's face each time?  Was it supposed to be a bindi dot?  Oh wait, was it supposed to be an Indy dot?  Whoa!
  • Were you trying to activate the crystal skull?
  • Remember that red line on the map showing Indy's route through South America?  Were you trying to point out a better route, with less traffic?  Are you like the Google Maps of assholes?
  • Are you, I don't know, socially awkward, and this was all a desperate cry for attention?  Is this the only way you can interact with the world, through brief, pathetic bursts of light amplification by stimulated emission of radiation?  Oh, no.  Did you - did you just want to pet the pretty monkeys?
  • Gee, now I'm all sad.  My apologies, kid.  In retrospect, I'm sorry I threw that drink at you.  And I'm glad it hit someone else.

Wednesday, 14 November 2007

The Darjeeling Limited, 6/8

in Rushmore he was a schwartz boy but in Darjeeling he becomes a schwartz man Finally saw The Darjeeling Limited.  It was OK.  One really funny bit, one really sad bit, and the best character by far was Jack, the youngest brother.   He's sexpertly played by the suave Jason Schwartzman, seducing sexy ladies with his sexy style.  Anyway, it's just like every other Wes Anderson movie, and I can sum it up in about five words: Meticulously quirky symbolic family pathos.  If I had three bonus words, they'd be "slow motion photography."

Natalie Portman completely nude Or, "Natalie Portman's ass."  Everyone knows about that already.  Disappointing.  I'm not much of a Natalie Portman fan, but I went in there with an open mind, and honestly, her ass just didn't grab me.  It's sad, really.  Imagine having your ass described as "underwhelming."

Schwartzman co-wrote the script, which may explain why he's the one who unveils Natalie Portman's ass and spends the rest of the movie bringing sexy back and not bothering to wear shoes.  Hopefully he's not responsible for Darjeeling's chronic case of Important Symbolism.  Wes Anderson movies all do it, but this one's the worst yet.  Every other scene is stuffed with very, very meaningful symbols, highlighted by songs whose lyrics directly relate to the scene, plus the whole damn thing's in slow motion.  I was able to predict the entire damn ending of the movie based on the blatant symbolism of the first few scenes.  I guess I shouldn't "ruin" it, so I'll make up something equally obvious and punny.  In the first scene, three kittens watch their dad get hit by a fish delivery truck and inherit his favorite ball of yarn.  At the end, the kittens wrestle a shark and lose because the yarn has gotten all tangly and their dad never taught them how to use scissors.  In slow-mo, of course, and as for the soundtrack, you know that old song about how the cat's in the cradle with the silver spoon?  Something less subtle.

we three are emotionally limited, just like the Darjeeling Limited Granted, I had plenty of time to work out the details thanks to the fact that the movie takes twenty minutes wondering how to end.  It can't decide which obvious gesture would really get the message across, because guess what?  You can only dumb something down so much.  I can't "get it" any more.  There's actually a joke about how the oldest brother keeps searching for meaning in everything.  That's not clever, it's just annoying.  Oh, and the running gag about how the youngest brother writes stories based on his life, but insists that the characters are all fictional.  This is in case you did not get the joke with the oldest brother.  There is a series of symbolic safety nets to make sure you understand this terribly difficult movie. 

Also, the safety nets are equipped with training wheels, and encased in bubble wrap.  My excessive explanation is intended to satirize The Darjeeling Limited's excessive symbolism, and this bit of explanation satirizes the wink-and-nod tone that purportedly excuses such authorial indulgence.

See how that's annoying?  Do you get it?  Do I need to do it more?

Anyway, it's a decent movie despite itself, and it was better than Fred Claus, which I didn't see, but I'm sure that's true.  I give it 6 out of 8 stars and refuse to reduce that fraction to its lowest terms.  Work it out yourself.

Thursday, 21 June 2007

Day Watch (Дневной дозор)

Anton poster The Russian sci-fi epic explodaganza Day Watch is the middle part of a trilogy that began with Night Watch and will conclude, maybe, with a movie called, maybe, Dusk Watch.  (It's all very complicated, so let these folks explain it and tell them thanks for the images I stole from their site.)  In the Watch mythology, Good and Evil gave up fighting years ago and created a truce which allows each human to choose, without interference, which way to flip.  Some folks, known as the Others, have special powers, and when they choose a side they join up with the Night Watch (good) or the Day Watch (evil).  Sounds backwards, right?  Well, the Night Watch "watches" the Day Watch, and vice versa.  There, now it makes as much sense as it ever will.

Day Watch throws a lot of complicated mythology at you and if you haven't seen Night Watch it won't make a lick of sense.  Even if you have, it makes two, maybe three licks, tops.  One nice thing is that Day Watch actually explains a few of the things that were glossed over in Night Watch, as well as bringing back every character from the first movie.  Really, every single character, even (mostly) inanimate objects.  I normally find that excessive but here it helped me keep track of how all these goddamn things tied the hell together.  By the end, they tied together, well, let's just say very tightly.

I want a Gorsvet toyI liked Night Watch with some reservations and I liked Day Watch much more.  It's  funnier, for example.  Dispensing with the complicated mythology means there's more time for character-based comedy.  From the very first scene to the goofy credit sequence, the movie regularly reminds you that although the fate of the world hangs in the balance, the fate of the world always hangs in the balance, and we're not dead yet.  It's a bit like Men in Black.  The two main plot devices are a magic piece of chalk and an evil yo-yo.  I am not kidding at all.  The Watch trilogy has been called Russia's answer to the Matrix trilogy, because it's full of crazy stunts, loud music, and CGI destruction.  But I believe it is superior to the Matrices, because although I didn't see Reloaded or Revolutions, I bet they had, at the most, a marginally evil yo-yo.  Day Watch has the most evil fucking yo-yo I've ever seen going all Tommy Smothers on downtown Moscow.

olga Unlike the first film, Day Watch gives screen time to the forces of evil, who are more entertaining, and not all that evil.  The good guys have the coolest wheels (a beat-up municipal truck) and the hottest hottie (Olga, played by Galina Tyunina -- I wasn't crazy about Alisa, but decide for yourself) but the evil guys have better clothes and dance moves.  Also, the good guys are at least as evil as the evil guys.  They're a bunch of sanctimonious, manipulative assholes.  The evil guys aren't sanctimonious.  The Watch series depicts Light and Dark Others as bureaucrats and ogliarchs, respectively, each side constantly bending the rules of a corrupt system.  If you had to choose, wouldn't you party with the ogliarchs, too?

alisa I saw the subtitled theater version, and as someone who speaks Russian at the level of a child or a dog (a sneaky, Bulgakov type dog), I thought the translation was sort of off but nothing important was missing.  Some of the jokes didn't make sense in English, but you can still tell they're jokes.  I don't know how you would translate "yolki palki" -- imagine if it were OK for a little kid to say, "Fuck me!" in surprise.  Just barely shocking, but mostly cute.  But the subtitles read, "Eh, do as you want," or something equally unfunny.  It's as if they translated that line from Snakes on a Plane as, "I have serious concerns about the total serpentine content of my aircraft."

However, these are no ordinary subtitles!  They show up all over the screen, in different colors, with pretty fade and dissolve effects, all contextually based.  The word "blood" will be red, and drip off the screen, whereas "mint" is green, and "snow" gets blown away as if by wind.  As someone drums and sings aloud, the words bounce to the rhythm.  It sounds gimmicky but after a few minutes I started viewing the subtitles as an integrated part of the images on the screen, as opposed to a distraction.  my favorite example is when an unseen force starts whispering things that aren't really speech, like the jungle on Lost, so the subtitles flash a bunch of nonsense words rapidly across the screen.  It's very cool, but I can't really explain the full effect, even if I worgy huplar glumaphs rinklor moo -- yeah, that doesn't work.

If it's playing in your area, and it won't be for long, I highly recommend Day Watch, and I'm not just saying that because Vladimir Putin can kill anyone he likes at any time.  You should have a high tolerance for loud music, fast action, and magic chalk, and renting Night Watch beforehand couldn't hurt.  But that's all you'll need to experience and even enjoy this movie.  Actually, you'll need some way to pay the theater people, too.  They should take cash or a credit card.  And find a ride to the theater, unless it's within walking distance.  Also, wear clothes.  (Banditos readers -- I included these last few suggestions in case this review gets reprinted in Ain't It Cool News.  Ignore this.)  Again, the movie is Day Watch, so sit down and watch it, and if something on the screen is scary or makes you feel funny, use your inside voice.

Friday, 01 June 2007

Phone In Friday: Affordable Food Romance

"I'm sorry, I just miss Chipotle so much.  I shouldn't take it out on you."

"White Castle!  This isn't what it looks like!"

"I Potbelly Sandwich Works you, I'm just not in Potbelly Sandwich Works with you."

"We can't do this.  I already have a Jerry's Subs and Pizza."

"And to think, Taco Casa was right there in front of me, all along . . . "

"What are you afraid of, Quiznos?  That maybe you'll get hurt?  Well, I've been hurt, Quiznos.  I've been hurt plenty of times.  That's what life is about.  Sometimes you have to take a chance, and I'm taking a chance on you.  Can't you see -- that I -- oh, Qui -- oh, Qui -- I LOVE you, Quiznos!"

"Sizzler, we need to talk.  Red Lobster is back, and . . . I'm eating there now."

"Then go!  What's stopping you?  But if you walk out that door, don't expect Whataburger to come grilling back to you!"

"I just know that Macaroni Grill is out there, somewhere."

"I never meant to WaWa you.  It's the last thing I WaWanted to do."

"And I know, you're Cookie Puss, and I'm Fudgie the Whale, but I can't keep silent any longer."

"She's at the Arby's right now.  If you run, you can catch her before she gets on the Bacon Beef 'n Cheddar Roast Beef Sandwich.  Go to her."

"OK, just Panda Garden me one last time, and if you don't feel anything, I'll just walk away."

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