When visiting England, be sure to pack a book, not for the flight, but for the restaurants. All those jokes about comically absent waiters come to vividly aloof life in London. Maybe it's because they aren't begging for tips, or because most restaurants don't need to free up tables. Either way, once your food arrives, they don't care if you ever leave. They'll never, ever bring you the check unless you specifically ask, and then you can wait easily 20 minutes before it arrives. You should pay right then, because otherwise it'll be another 20 minutes before they pick it up again. And this pales in comparison to pub etiquette, where you shouldn't expect anyone to bring food in the first place, and you can only purchase a drink by looking forlorn and thirsty. But you get used to it. Now that I'm back in the States, when a waiter refills my glass, I think, "Why the free water? Did I go to school with you?"
I carried around books as little health boosts in the restaurant waiting game, as well as the vessels into which I poured a tall helping of London juice each night. That metaphor got away from me. As far as I can tell, London juice would just be Red Bull, like everywhere. Maybe vodka? My usual euphemism for vodka is Midnight Sprite. Go and use that. The point was, whichever book I was reading, I had the day's events in mind, which seemed to make them differently shaped containers holding a single essence rather than individual sources of new thoughts. That picture is not one of them, by the way. But look at that thing. What the hell?
One London book was Saul Bellow's Henderson the Rain King. A friend of mine has read this at least five times in different stages of life. That's some recommendation. I've never read anything five times. I've read a handful of books three times. On the other hand, I'd read those books again in a heartbeat if I didn't already feel the constant pressure to catch up on all the books I haven't read yet. Anyway, the story involves a fat, rich, selfish American who goes to Africa because his heart keeps crying, I want! His heart won't get more specific that that. Does he find what he's looking for? Not to get all LeVar Burton on you, but read the book yourself, lazy pie. I'm busy fixing the engines.
I enjoyed Henderson, although the ending was somehow unsatisfying, and I think it's an interesting choice for a favorite book. It doesn't try too hard to be important literature. Bellow slips all his little observations about life and death into throwaway sentences spoken by unreliable or comic characters, and the narrator is so much of an idiot that at first he's downright unlikeable. Later, though, I started to feel the sequence of pity, amusement, and empathy that I feel with Dostoevsky characters, especially the overwrought, intellectually paralyzed ones. Ivan Karamazov, the Underground Man, Kirilov, and so on. Nabokov wrote a lot of these guys, too, the thinky douchebag. That's the literary term. (Post-structuralism.)
One favorite bit: Henderson and his guide, Romilayu, have been captured by a possibly hostile tribe and left in a guest hut for the night. They don't have any idea what will happen to them in the morning. Henderson discovers a dead body in the hut. Is it some kind of warning, or a frame-up? He decides to drag out the corpse and leave it in a ditch somewhere. Romilayu thinks they should just go to sleep and not make trouble, but Henderson's offended by the morgue-like accommodations.
"You damned fool," I said to Romilayu, who stood off half-concealed. "Pick up this guy's feet, and help me carry. If we see anybody you can just drop them and beat it. I'll run for it alone."
He obeyed me, and, as if dressed in a second man and groaning, my head filled with flashes and thick noises, I went into the lane. And a voice within me rose and said, "Do you love death so much? Then here, have some."
"I do not love it," I said. "Who told you that? That's a mistake."
In a movie version, the voice within Henderson would get at least second billing and someone would have to get Morgan Freeman to go buck wild in the voiceover booth. Thanks to his ever-present, irrational heart, Henderson's narration has a mood of barely controlled delirium, giving a sense of constant motion to a book where, honestly, not that much happens. You can't get away from his thoughts any more than he can. I think that's part of the point, that no matter how far you think you've traveled, you're still you, inflicting your horrible self on the locals. I'm sure I irritated everyone I came across in ways I never even noticed. In England, is it rude to sit around reading in a restaurant? My brain and stomach were satisfied, but after a couple hours, the heart cries out, "Here sits a man in search of a soul. I want! I want the check, and maybe a mint. Really, the mouth wants that, but I'm cool with it, too."